José Bértolo 'Art of the Event': Accident, narrative and form in La Glace à trois faces, between Jean Epstein and Paul Morand PDF (Português (Portugal))
Bruno Fontes Something In-Between: Images of Writing on the Film Conversa Acabada (João Botelho, 1981) PDF (Português (Portugal))
Fernando Guerreiro Conrad and Cinema: “A girl, by Jove!” – Victory (1919), by Maurice Tourneur PDF (Português (Portugal))
Helder Thiago Maia An erotic and literary history of Latin American cinema PDF (Português (Portugal))
Alexandra João Ramos Correia Martins Cinema and Poetry: Approaching António Reis' work PDF (Português (Portugal))
Helena Martins "It remains to be seen if non-thought contaminates thought": quotation and invention in Jean-Luc Godard's Adieu au Langage PDF (Português (Portugal))
Eduardo Nunes Migrating characters in literature-to-film adaptations: reflections based on The double and Enemy PDF (Português (Portugal))
Marília Corrêa Parecis de Oliveira The cinema effect on 'Miguel e os demônios', by Lourenço Mutarelli PDF (Português (Portugal))
Ana Gabriela Dickstein Roiffe Cinema pays tribute to poetry in Acidente, by Cao Guimarães and Pablo Lobato PDF (Português (Portugal))
Lia Leite Santos Las Babas del Diablo and Blow Up : An Analysis of the Intersemiotic Translation in the Film Adaptation PDF (Português (Portugal))
Daniel Moutinho Souza “Making-Of” of Itself: Documentary as a Theme and as a Formal Principle in José Eduardo Agualusa's As Mulheres do Meu Pai PDF (Português (Portugal))
Thaís Rocha Tavares Literature in Motion: narrative and photogram in O fotógrafo, by Cristovão Tezza PDF (Português (Portugal))
José Eduardo Reis Recensão: Carlos Nogueira, Resposta a Italo Calvino. Clássicos da Literatura, Porto, Livraria Lello, 2018. PDF (Português (Portugal))
