Écfrase, cinema e filosofia: o "poder transmedial" dos conceitos em 'Um teste de resistores', de Marília Garcia
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How to Cite

Santos, Y. B. P. dos. (2020). Écfrase, cinema e filosofia: o "poder transmedial" dos conceitos em ’Um teste de resistores’, de Marília Garcia. ELyra: Development, (15), 75–93. Retrieved from https://ojstest.xyz/elyra33020/index.php/elyra/article/view/327

Abstract

This article analyzes the ekphrastic poems of the contemporary Brazilian poet Marília Garcia, created from cinematographic works. Considering the transmedial approach of concepts in Garcia’s poetry – idea introduced by Joana Matos Frias in the article “‘Tudo o que em mim pensa esta? filmando’: pertenc?a e repetic?a? o na poesia brasileira contempora?nea” (2016) – this article explores the idea that the ekphrasis, in her work, appears as a form of critical analysis of the movies described. This approach suggests a poetic practice that is also an exercise in critical reflection, placing the self-poet in a double condition when in contact with the work of art, as a spectator and receiver and also as a producer of critical reflections through poetic making itself.

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