Abstract
In what sense a discourse on ecology can develop a poetics concerned to nature? What is the status of a poetics for which nature seems to give up its symbolic function in order to present itself as immediately close to science, politics and philosophy? The later work of the french poet and critic Michel Deguy offers some interesting suggestions about this issue, as well as helps to understand its importance to the contemporary debate, by providing a very daring and new idea of the task of the poet as an active voice in discussions on human destiny.