Abstract
This article proposes to articulate some common questions of a certain contemporary poetry – French, Brazilian and Portuguese – conceived as post-autonomous objects for it doesn’t aim the castling of pure poetry, but rather “outputs" in the world. These poems, or post-poetry, operating in motion of indistinction, by mixing and agencying practices of everyday language and literary tradition, however produces, what Jean-Luc Nancy designates, a resistance to the consumer world, through different procedures of traditional poetry. Thus, the objectivist poetry throws the categories of inside and outside into question and engaged itself in the so-called philosophy of immanence by deconstructing the traditional lyrism’s dichotomy, one that opposes nature to art.